The politics of housing these guys is a tale of bitter rivalry, hierarchy, and power. Obviously the show's management doesn't doss down with the performers. Can you imagine an acrobat sharing a room with the food and beverages manager? How about the clown and the fat man rooming together - don't make me laugh. Star performers - that is, named on the bill, performing a solo, or pictured on posters - have first dibs on apartments and personal relationships with the accommodation coordinator can give a Polish tight-rope walker considerable pull over, say, one of the midgets. Marlo - a fearsome magician - has very specific requirements that include an international DVD player and a ground floor entrance. No one wants to live next to the bendy boy.
We move on from quirky circus performers to large sweaty horses. Vince has the client in his eager grip and is looking to rent not to the 60 Canadian horses that form the core of the show but to as many of the 120 staff and performers that ride these mighty beasts. I have the feeling that these horses – galloping full belt, prancing on three legs, jogging sideways, and rearing upwards – feel themselves to warrant star status but, alas, top billing goes to the jockeys. The steeds get carrots. The accommodation manager, a Canadian woman with a pronounced French accent she claims is natural but which must surely be the result of hours of cruel practice, felt compelled to provide background. The horses are highly strung, highly strong, only eat grass imported from